Unraveling Abelardo Carbonó’s “Guana Tangula”: A Deep Dive with Masilva

Within the rich history of Colombian music, artists often navigate the delicate balance between national anonymity and international acclaim; Abelardo Carbonó is the embodiment of this phenomenon. Colombian Jukebox, alongside musician and record collector Masilva, have embarked on a journey on YouTube to uncover the hidden gems of Colombian music, starting with a Carbonó masterpiece. The exploration begins with Carbonó’s 1980 album, “Guana Tangula,” which serves as a testament to the innovative spirit and the cultural fusion that defines the richness of Colombian music. 

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The Musical Legacy of Abelardo Carbonó

In our quest for musical exploration, Masilva introduced me to several albums by artists previously unknown to me. Among them was “Guana Tangula,” a captivating work that immediately captured my attention with its striking cover art. The painting depicts a scene reminiscent of Colombia’s northern desert region with a group of people gathered in a dry landscape, dancing and celebrating beneath the blue skies.

Masilva and I crate digging at Archivo Musical in Medellín

His descriptions—”Steaming hot Guana Tángula,” “You can party all the way through it,” “Wicked Shit!,” “Gozadera Garantizada”—painted a vivid picture of the album’s energy and vibrancy. Masilva’s enthusiasm for the album proved contagious. As I immersed myself in the music, the sounds and rhythms transported me back to my youth in the Caribbean region of Colombia, reminiscing on moments spent with family and friends. The lyrics of “Guana Tangula”, some in an unknown language, heightened my sense of nostalgia, serving as a celebration of life. The light and refreshing tones added to an unforgettable auditory experience. 

Sharing this listening experience with Masilva is truly remarkable. He has been a longtime fan of Abelardo Carbonó and in 2015, had the opportunity to collaborate with the legendary artist on a two-track EP titled ‘Masilva Carbonó’. The EP was edited by Masilva before signing to Tambora Records. He brings a unique perspective to the discussion, drawing from his firsthand experiences as a musician and collaborator.

Abelardo Carbonó: A Maverick in Music

Abelardo Carbonó’s musical journey is as intriguing as his compositions. Born in Ciénaga, Magdalena, in 1948, Carbonó carved out a niche for himself as a guitar player, singer-songwriter, and innovator. Alongside his brothers Abel and Jafet, Carbonó formed a band in the coastal city of Barranquilla, where they released their most influential work in the late ’70s and early ’80s. He was also known to be a police officer. 

Despite a period of relative obscurity, Carbonó’s music experienced a resurgence thanks to champeta compilations published by Lucas Silva, director and founder of Palenque Records along with Soundway Records in 2010. However, it wasn’t until 2013, when Spanish label Vampisoul edited a seventeen track compilation of his songs in a two-vinyl edition, that truly brought him back to the public eye, and initiated his tour around Colombia and Europe. 

A Google search of Abelardo Carbonó is full of headlines that hail him as the godfather, precursor, and champion of champeta—a Colombian music genre originating from the Caribbean region. However, in an interview with El Heraldo, Carbonó humbly deflects these titles, emphasizing that he does not consider himself the creator of champeta; rather, it’s a moniker bestowed upon him by his followers. He describes his guitar playing as instinctive rather than premeditated, likening it to the approach of a foreigner discovering the instrument anew. Carbonó was acutely aware of his role in music, viewing himself not as a mere performer, but as a designer of sound

Fabián Ahimada, Abelardo Carbonó, and Masilva at Einar Escaf’s Studio
Photography by Nadina Marquisio

Proud of his Afro and indigenous roots, Carbonó identifies with Afro-Latin music and embraces his cultural heritage. While he expresses a hint of resentment towards his relatively modest recognition in Colombia, he takes pride in his acclaim abroad, where his music has found an audience. 

Tragically, Carbonó’s life was cut short by COVID-19 complications in 2021, leaving behind a legacy that continues to inspire and captivate audiences worldwide.

Guana Tangula: A Musical Journey

Carbonó’s second studio album, “Guana Tangula,” was originally released in 1980 by Costeño-Codiscos and most recently re-released in 2020 by VampiSoul-Munster Records. The album stands as a testament to his creative vision and musical prowess. Recorded exclusively with acoustic guitars—a departure from his usual electric sound—the album showcases a diverse range of influences, including African Soukus, Afrobeat, Highlife, Vallenato, Cuban son, and Guaracha, as well as elements of rock and roll.

Masilva’s insights into the album’s intricate guitar work, hypnotic rhythms, and infectious energy provide a deeper understanding of Carbono’s genius. His insights offer a deeper understanding of Carbonó, highlighting the album’s intricate guitar work, hypnotic rhythms, and the infectious energy of the selected tracks we listen to in the video. His passion for Carbonó’s music shines through, making him the perfect guide through the labyrinthine world of “Guana Tangula.”

Don’t Miss Out on the Experience

“Guana Tangula” is more than just an album—it’s a musical journey that invites listeners to explore and discover. Join Colombian Jukebox and Masilva as they delve into the depths of Carbonó’s masterpiece, uncovering the magic that lies within its grooves.

Support Colombian Music

Show your support for Colombian music by purchasing “Guana Tangula” and exploring other works by Abelardo Carbonó. Your contribution helps preserve the legacy of artists like Carbonó, ensuring that their music continues to inspire future generations.

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